1 was not, strictly speaking, a solo hit – and that’s not just because Tommy Dorsey’s name appeared on the label in the largest type. 1 in 1943 after being re-released by Columbia). Sinatra started out singing with the big bands in 1939, first joining Harry James in June of that year for “From the Bottom of My Heart,” and going to record “All Or Nothing At All,” which they cut on Aug(it went to No. It’s been said that the song exemplifies both New York and Sinatra himself: it has swagger and bounce it’s soft and sassy, triumphal and tender. Although the Liza Minnelli/Robert De Niro film flopped, when Sinatra recorded it for his album Trilogy: Past Present Future in 1980, it quickly was heard all over the city, especially at ball games, and it soon became the Big Apple’s unofficial theme song. Written by John Kander and Fred Ebb, who also wrote Cabaret, it was the title song for the 1977 Martin Scorsese film of the same name. And, for the rest of his career, Frank pretty much obliged, often using it as his closer. From the point that Frank first began performing this song, just about everyone wanted to hear it at his concerts. “New York, New York” was Sinatra’s last song to feature on the Billboard Hot 100, entering the chart in the summer of 1980.
Canadian singer Paul Anka came up with the English lyrics. It is, as DownBeat magazine later said, the song that “helped Frank reinvent himself.” Composed as “Comme d’Habitude’ (As Usual),” it was written by Jacques Revaux and Gilles Thibault, along with Egyptian-born French singer Claude Francois. “My Way” is more associated with Sinatra than any other song. But did you know veteran German bandleader, Bert Kaempfert, wrote the melody for “Strangers”? There’s “Strangers In The Night”: the title song for his 1966 album that went all the way to the top of the LP charts, helped by the fact that the single reached No. These Frank Sinatra songs are so indelibly linked to Ol’ Blue Eyes that they barely need an introduction.
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